SF Hall of Fame |
SFWA Grand Master |
Locus Poll and Awards |
Aurealis |
Aurora |
Ditmar |
Endeavour |
Kitschies | ||
Mythopoeic |
Prometheus |
Sidewise |
Spectrum |
Sunburst |
complete Awards Directory |
2024 | |
novel | The Green Man's Quarry, Juliet E. McKenna |
shorter fiction (novelette or novella) | And Put Away Childish Things, Adrian Tchaikovsky |
short fiction | “How to Raise a Kraken in Your Bathtub”, P. Djčlí Clark |
translated short fiction | “Vanishing Tracks in the Sand”, Jana Bianchi, translated by Rachael Armoruso |
fiction for younger readers | The Library of Broken Worlds, Alaya Dawn Johnson |
collection or anthology | The Best of British Science Fiction 2022, Donna Scott, ed. |
nonfiction (long) | A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, Nina Allan, ed. |
nonfiction (short) | “Project Management Lessons from Rogue One”, Fiona Moore |
artwork | Leo Nickolls for The Surviving Sky by Krikita H. Rao (Titan) |
audio fiction | The Dex Legacy, Emily Inkpen |
2023 | |
novel | City of Last Chances, Adrian Tchaikovsky |
short fiction | Of Charms, Ghosts and Grievances, Aliette de Bodard |
book for younger readers | Unraveller, Frances Hardinge |
nonfiction | Terry Pratchett: A Life with Footnotes, Rob Wilkins |
artwork | Alyssa Winans for The Red Scholar's Wake by Aliette de Bodard (Gollancz) |
2022 | |
novel | Shards of Earth, Adrian Tchaikovsky |
short fiction | Fireheart Tiger, Aliette de Bodard |
book for younger readers | Iron Widow, Xiran Jay Zhao |
nonfiction | Worlds Apart: Worldbuilding in Fantasy and Science Fiction, Francesca T. Barbini, ed. |
artwork | “Glasgow Green woman”, Iain Clark |
2021 | |
novel | The City We Became, N. K. Jemisin |
short fiction | “Infinite Tea in the Demara Café”, Ida Keogh |
nonfiction | It's the End of the World: But What Are We Really Afraid Of?, Adam Roberts |
artwork | “Shipbuilding Over the Clyde”, Iain Clarke |
2020 | |
novel | Children of Ruin, Adrian Tchaikovsky |
shorter fiction | This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone |
nonfiction | The Pleasant Profession of Robert A. Heinlein, Farah Mendlesohn |
artwork | Chris Baker for Wourism and Other Stories by Ian Whates (Luna) |
2019 | |
novel | Embers of War, Gareth L. Powell |
shorter fiction | Time Was, Ian McDonald |
nonfiction | “On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures”, Aliette de Bodard |
artwork | “In the Vanishers’ Palace: Dragon I and II”, Likhain |
2018 | |
novel | The Rift, Nina Allan |
shorter fiction | The Enclave, Anne Charnock |
nonfiction | Iain M. Banks, Paul Kincaid |
artwork | (tie) Victo Ngai for “Waiting on a Bright Moon” by JY Yang (Tor.com 12 Jul 2017) |
artwork | (tie) Jim Burns for The Ion Raider by Ian Whates (NewCon) |
2017 | |
novel | Europe in Winter, Dave Hutchinson |
short story | “Liberty Bird”, Jaine Fenn |
nonfiction | “100 African Writers of SFF”, Geoff Ryman |
artwork | Sarah Anne Langton for Central Station by Lavie Tidhar (Tachyon) |
2016 | |
novel | The House of Shattered Wings, Aliette de Bodard |
short story | “Three Cups of Grief, by Starlight”, Aliette de Bodard |
nonfiction | Rave and Let Die: The SF and Fantasy of 2014, Adam Roberts |
artwork | Jim Burns for Pelquin's Comet by Ian Whates (Newcon) |
2015 | |
novel | Ancillary Sword, Ann Leckie |
short fiction | “The Honey Trap”, Ruth E. J. Booth |
nonfiction | “Science Fiction and Fantasy Writers in the Great War”, Edward James |
artwork | “The Wasp Factory”, Tessa Farmer |
2014 | |
novel | (tie) Ancillary Justice, Ann Leckie |
novel | (tie) Ack-Ack Macaque, Gareth L. Powell |
short fiction | Spin, Nina Allan |
nonfiction | Wonderbook, Jeff VanderMeer |
artwork | Joey Hi-Fi for Dream London by Tony Ballantine (Solaris) |
2013 | |
novel | Jack Glass, Adam Roberts |
short fiction | “Adrift on the Sea of Rains”, Ian Sales |
nonfiction | The World SF Blog, Lavie Tidhar, chief editor |
artwork | Blacksheep for Jack Glass by Adam Roberts (Gollancz) |
2012 | |
novel | The Islanders, Christopher Priest |
short fiction | “The Copenhagen Interpretation”, Paul Cornell |
nonfiction | The Encyclopedia of Science Fiction, Third Edition, John Clute, Peter Nicholls & David Langford, eds. |
artwork | Dominic Harman for The Noise Revealed by Ian Whates (Solaris) |
2011 | |
novel | The Dervish House, Ian McDonald |
short fiction | “The Shipmaker”, Aliette de Bodard |
nonfiction | “Blogging the Hugos: Decline”, Paul Kincaid |
artwork | Joey Hi-Fi for Zoo City |
2010 | |
novel | The City & the City, China Miéville |
short fiction | “The Beloved Time of Their Lives”, Ian Watson & Roberto Quaglia |
nonfiction | “Mutant Popcorn” (film column), Nick Lowe |
artwork | Stephan Martiniere for Desolation Road by Ian McDonald |
2009 | |
novel | The Night Sessions, Ken MacLeod |
short fiction | “Exhalation”, Ted Chiang |
nonfiction | Rhetorics of Fantasy, Farah Mendlesohn |
artwork | Andy Bigwood for Subterfuge by Ian Whates, ed. |
2008 | |
novel | Brasyl, Ian McDonald |
short fiction | “Lighting Out”, Ken MacLeod |
artwork | Andy Bigwood for “Cracked World” (disLocations ed. Ian Whates; Newcon Press) |
Best Novel of 1958 | Non-Stop, Brian W. Aldiss |
2007 | |
novel | End of the World Blues, Jon Courtenay Grimwood |
short fiction | “The Djinn's Wife”, Ian McDonald |
artwork | Fangorn for “Angelbot” (Time Pieces ed Ian Whates) |
2006 | |
novel | Air, Geoff Ryman |
short fiction | “Magic for Beginners”, Kelly Link |
nonfiction | Soundings: Reviews 1992-1996, Gary K. Wolfe |
artwork | Pawel Lewandowski for Interzone #200 Oct 2005 |
2005 | |
novel | River of Gods, Ian McDonald |
short fiction | Mayflower II, Stephen Baxter |
artwork | Stephan Martiniere for Newton's Wake by Ken MacLeod |
2004 | |
novel | Felaheen: The Third Arabesk, Jon Courtenay Grimwood |
short fiction | The Wolves in the Walls, Neil Gaiman & Dave McKean |
nonfiction | “Reading Science Fiction” (introduction), Farah Mendlesohn |
artwork | Colin Odell for The True Knowledge of Ken MacLeod by Andrew M. Butler & Farah Mendlesohn, eds. (Science Fiction Foundation) |
2003 | |
novel | The Separation, Christopher Priest |
short fiction | Coraline, Neil Gaiman |
nonfiction | “Introduction”, David Langford |
artwork | Dominic Harman for Interzone #179 May 2002 |
2002 | |
novel | Chasm City, Alastair Reynolds |
short story | “The Children of Winter”, Eric Brown |
nonfiction | Omegatropic, Stephen Baxter |
artwork | Colin Odell for Omegatropic by Stephen Baxter (BSFA) |
2001 | |
novel | Ash: A Secret History, Mary Gentle |
short fiction | “The Suspect Genome”, Peter F. Hamilton |
artwork | Dominic Harman for “Hideaway” by Alastair Reynolds (Interzone #157 Jul 2000) |
2000 | |
novel | The Sky Road, Ken MacLeod |
short fiction | “Hunting the Slarque”, Eric Brown |
artwork | Jim Burns for Darwinia by Robert Charles Wilson |
1999 | |
novel | The Extremes, Christopher Priest |
short fiction | “La Cenerentola”, Gwyneth Jones |
artwork | Jim Burns for “Lord Prestimion” by Robert Silverberg (Interzone #138 Dec 1998) |
1998 | |
novel | The Sparrow, Mary Doria Russell |
short fiction | “War Birds”, Stephen Baxter |
artwork | SMS for “The Black Blood of the Dead” by Brian Stableford (Interzone #116 Feb 1997) |
1997 | |
novel | Excession, Iain M. Banks |
short fiction | “A Crab Must Try”, Barrington J. Bayley |
original artwork | Jim Burns for Ancient Shores by Jack McDevitt (HarperPrism) |
1996 | |
novel | The Time Ships, Stephen Baxter |
short fiction | “The Hunger and Ecstasy of Vampires”, Brian Stableford |
artwork | Jim Burns for Seasons of Plenty by Colin Greenland (HarperCollins UK) |
1995 | |
novel | Feersum Endjinn, Iain M. Banks |
short fiction | “The Double Felix”, Paul Di Filippo |
artwork | Jim Burns for Interzone #79 Jan 1994 |
1994 | |
novel | Aztec Century, Christopher Evans |
short fiction | “The Ragthorn”, Robert Holdstock & Garry Kilworth |
artwork | Jim Burns for Red Dust by Paul J. McAuley (Gollancz) |
special award | The Encyclopedia of Science Fiction, John Clute & Peter Nicholls, eds. |
1993 | |
novel | Red Mars, Kim Stanley Robinson |
short fiction | “Innocents”, Ian McDonald |
artwork | Jim Burns for Hearts, Hands and Voices by Ian McDonald (Gollancz) |
1992 | |
novel | The Fall of Hyperion, Dan Simmons |
short fiction | “Bad Timing”, Molly Brown |
dramatic presentation | Terminator 2: Judgement Day |
artwork | Mark Harrison for Interzone #48 Jun 1991 |
1991 | |
novel | Take Back Plenty, Colin Greenland |
short fiction | “The Original Dr. Shade”, Kim Newman |
dramatic presentation | Twin Peaks (tv series) |
artwork | Ian Miller for The Difference Engine by William Gibson & Bruce Sterling (Gollancz) |
1990 | |
novel | Pyramids, Terry Pratchett |
short fiction | “In Translation”, Lisa Tuttle |
dramatic presentation | Red Dwarf (tv series) |
artwork | Jim Burns for Other Edens III by Christopher Evans & Robert Holdstock, eds. (Unwin) |
1989 | |
novel | Lavondyss, Robert Holdstock |
short fiction | “Dark Night in Toyland”, Bob Shaw |
media | Who Framed Roger Rabbit |
artist | Alan Lee |
1988 | |
novel | Gráinne, Keith Roberts |
short fiction | “Love Sickness”, Geoff Ryman |
dramatic presentation | Star Cops (tv series) |
artist | Jim Burns for 1987 Worldcon Program Book |
1987 | |
novel | The Ragged Astronauts, Bob Shaw |
short story | “Kaeti and the Hangman”, Keith Roberts |
media production | Aliens |
artwork | “The Clocktower Girl”, Keith Roberts |
1986 | |
novel | Helliconia Winter, Brian W. Aldiss |
short fiction | “Cube Root”, David Langford |
media presentation | Brazil |
artist | Jim Burns |
1985 | |
novel | Mythago Wood, Robert Holdstock |
short fiction | “The Unconquered Country”, Geoff Ryman |
media presentation | The Company of Wolves |
artist | Jim Burns |
1984 | |
novel | Tik-Tok, John Sladek |
short fiction | “After Images”, Edwards Malcolm |
media presentation | Android |
cover artist | Bruce Pennington |
1983 | |
novel | Helliconia Spring, Brian W. Aldiss |
short fiction | “Kitemaster”, Keith Roberts |
media presentation | Blade Runner |
artist | Tim White |
1982 | |
novel | The Shadow of the Torturer, Gene Wolfe |
short fiction | “Mythago Wood”, Robert Holdstock |
media presentation | Time Bandits |
cover artist | Bruce Pennington |
1981 | |
novel | Timescape, Gregory Benford |
short fiction | “The Brave Little Toaster”, Thomas M. Disch |
media presentation | “The Hitchhiker's Guide to the Galaxy” (2nd radio series) |
artist | Peter Jones |
1980 | |
novel | The Unlimited Dream Company, J. G. Ballard |
short fiction | “Palely Loitering”, Christopher Priest |
media | “The Hitchhiker's Guide to the Galaxy” (record) |
artist | Jim Burns |
1979 | |
novel | A Scanner Darkly, Philip K. Dick |
collection | Deathbird Stories, Harlan Ellison |
media | “The Hitchhiker's Guide to the Galaxy” |
1978 | |
none | The Jonah Kit, Ian Watson |
1977 | |
none | Brontomek!, Michael G. Coney |
special award | A Pictorial History of Science Fiction, David A. Kyle |
1976 | |
none | Orbitsville, Bob Shaw |
1975 | |
none | Inverted World, Christopher Priest |
1974 | |
none | Rendezvous with Rama, Arthur C. Clarke |
special award | Billion Year Spree, Brian W. Aldiss |
1972 | |
none | The Moment of Eclipse, Brian W. Aldiss |
1971 | |
none | The Jagged Orbit, John Brunner |
1970 | |
none | Stand on Zanzibar, John Brunner |