|
novel | |
| 2025 | Three Eight One, Aliya Whiteley |
| 2024 | The Green Man's Quarry, Juliet E. McKenna |
| 2023 | City of Last Chances, Adrian Tchaikovsky |
| 2022 | Shards of Earth, Adrian Tchaikovsky |
| 2021 | The City We Became, N. K. Jemisin |
| 2020 | Children of Ruin, Adrian Tchaikovsky |
| 2019 | Embers of War, Gareth L. Powell |
| 2018 | The Rift, Nina Allan |
| 2017 | Europe in Winter, Dave Hutchinson |
| 2016 | The House of Shattered Wings, Aliette de Bodard |
| 2015 | Ancillary Sword, Ann Leckie |
| 2014 | (tie) Ack-Ack Macaque, Gareth L. Powell |
| 2014 | (tie) Ancillary Justice, Ann Leckie |
| 2013 | Jack Glass, Adam Roberts |
| 2012 | The Islanders, Christopher Priest |
| 2011 | The Dervish House, Ian McDonald |
| 2010 | The City & the City, China Miéville |
| 2009 | The Night Sessions, Ken MacLeod |
| 2008 | Brasyl, Ian McDonald |
| 2007 | End of the World Blues, Jon Courtenay Grimwood |
| 2006 | Air, Geoff Ryman |
| 2005 | River of Gods, Ian McDonald |
| 2004 | Felaheen: The Third Arabesk, Jon Courtenay Grimwood |
| 2003 | The Separation, Christopher Priest |
| 2002 | Chasm City, Alastair Reynolds |
| 2001 | Ash: A Secret History, Mary Gentle |
| 2000 | The Sky Road, Ken MacLeod |
| 1999 | The Extremes, Christopher Priest |
| 1998 | The Sparrow, Mary Doria Russell |
| 1997 | Excession, Iain M. Banks |
| 1996 | The Time Ships, Stephen Baxter |
| 1995 | Feersum Endjinn, Iain M. Banks |
| 1994 | Aztec Century, Christopher Evans |
| 1993 | Red Mars, Kim Stanley Robinson |
| 1992 | The Fall of Hyperion, Dan Simmons |
| 1991 | Take Back Plenty, Colin Greenland |
| 1990 | Pyramids, Terry Pratchett |
| 1989 | Lavondyss, Robert Holdstock |
| 1988 | Gráinne, Keith Roberts |
| 1987 | The Ragged Astronauts, Bob Shaw |
| 1986 | Helliconia Winter, Brian W. Aldiss |
| 1985 | Mythago Wood, Robert Holdstock |
| 1984 | Tik-Tok, John Sladek |
| 1983 | Helliconia Spring, Brian W. Aldiss |
| 1982 | The Shadow of the Torturer, Gene Wolfe |
| 1981 | Timescape, Gregory Benford |
| 1980 | The Unlimited Dream Company, J. G. Ballard |
| 1979 | A Scanner Darkly, Philip K. Dick |
| 1978 | The Jonah Kit, Ian Watson |
| 1977 | Brontomek!, Michael G. Coney |
| 1976 | Orbitsville, Bob Shaw |
| 1975 | Inverted World, Christopher Priest |
| 1974 | Rendezvous with Rama, Arthur C. Clarke |
| 1972 | The Moment of Eclipse, Brian W. Aldiss |
| 1971 | The Jagged Orbit, John Brunner |
| 1970 | Stand on Zanzibar, John Brunner |
|
shorter fiction (novelette or novella) | |
| 2025 | Saturation Point, Adrian Tchaikovsky |
| 2024 | And Put Away Childish Things, Adrian Tchaikovsky |
|
short fiction/short story | |
| 2025 | “Why Don't We Just Kill the Kid in the Omelas Hole”, Isabel J. Kim |
| 2024 | “How to Raise a Kraken in Your Bathtub”, P. Djčlí Clark |
| 2023 | Of Charms, Ghosts and Grievances, Aliette de Bodard |
| 2022 | Fireheart Tiger, Aliette de Bodard |
| 2021 | “Infinite Tea in the Demara Café”, Ida Keogh |
|
shorter fiction | |
| 2020 | This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone |
| 2019 | Time Was, Ian McDonald |
| 2018 | The Enclave, Anne Charnock |
|
short fiction/short story | |
| 2017 | “Liberty Bird”, Jaine Fenn |
| 2016 | “Three Cups of Grief, by Starlight”, Aliette de Bodard |
| 2015 | “The Honey Trap”, Ruth E. J. Booth |
| 2014 | Spin, Nina Allan |
| 2013 | “Adrift on the Sea of Rains”, Ian Sales |
| 2012 | “The Copenhagen Interpretation”, Paul Cornell |
| 2011 | “The Shipmaker”, Aliette de Bodard |
| 2010 | “The Beloved Time of Their Lives”, Ian Watson & Roberto Quaglia |
| 2009 | “Exhalation”, Ted Chiang |
| 2008 | “Lighting Out”, Ken MacLeod |
| 2007 | “The Djinn's Wife”, Ian McDonald |
| 2006 | “Magic for Beginners”, Kelly Link |
| 2005 | Mayflower II, Stephen Baxter |
| 2004 | The Wolves in the Walls, Neil Gaiman & Dave McKean |
| 2003 | Coraline, Neil Gaiman |
| 2002 | “The Children of Winter”, Eric Brown |
| 2001 | “The Suspect Genome”, Peter F. Hamilton |
| 2000 | “Hunting the Slarque”, Eric Brown |
| 1999 | “La Cenerentola”, Gwyneth Jones |
| 1998 | “War Birds”, Stephen Baxter |
| 1997 | “A Crab Must Try”, Barrington J. Bayley |
| 1996 | “The Hunger and Ecstasy of Vampires”, Brian Stableford |
| 1995 | “The Double Felix”, Paul Di Filippo |
| 1994 | “The Ragthorn”, Robert Holdstock & Garry Kilworth |
| 1993 | “Innocents”, Ian McDonald |
| 1992 | “Bad Timing”, Molly Brown |
| 1991 | “The Original Dr. Shade”, Kim Newman |
| 1990 | “In Translation”, Lisa Tuttle |
| 1989 | “Dark Night in Toyland”, Bob Shaw |
| 1988 | “Love Sickness”, Geoff Ryman |
| 1987 | “Kaeti and the Hangman”, Keith Roberts |
| 1986 | “Cube Root”, David Langford |
| 1985 | “The Unconquered Country”, Geoff Ryman |
| 1984 | “After Images”, Edwards Malcolm |
| 1983 | “Kitemaster”, Keith Roberts |
| 1982 | “Mythago Wood”, Robert Holdstock |
| 1981 | “The Brave Little Toaster”, Thomas M. Disch |
| 1980 | “Palely Loitering”, Christopher Priest |
|
translated short fiction | |
| 2025 | “Bone by Bone”, Mónika Rusvai, translated by Vivien Urban |
| 2024 | “Vanishing Tracks in the Sand”, Jana Bianchi, translated by Rachael Armoruso |
|
fiction for younger readers | |
| 2025 | Doctor Who: Caged, Una McCormack |
| 2024 | The Library of Broken Worlds, Alaya Dawn Johnson |
|
book for younger readers | |
| 2023 | Unraveller, Frances Hardinge |
| 2022 | Iron Widow, Xiran Jay Zhao |
|
collection or anthology | |
| 2025 | Punks4Palestine: An Anthology of Hopeful SciFi for an Uncertain Future, Jasen Bacon, ed. |
| 2024 | The Best of British Science Fiction 2022, Donna Scott, ed. |
|
collection | |
| 1979 | Deathbird Stories, Harlan Ellison |
|
dramatic/media presentation | |
| 1992 | Terminator 2: Judgement Day |
| 1991 | Twin Peaks (tv series) |
| 1990 | Red Dwarf (tv series) |
| 1989 | Who Framed Roger Rabbit |
| 1988 | Star Cops (tv series) |
| 1987 | Aliens |
| 1986 | Brazil |
| 1985 | The Company of Wolves |
| 1984 | Android |
| 1983 | Blade Runner |
| 1982 | Time Bandits |
| 1981 | “The Hitchhiker's Guide to the Galaxy” (2nd radio series) |
| 1980 | “The Hitchhiker's Guide to the Galaxy” (record) |
| 1979 | “The Hitchhiker's Guide to the Galaxy” |
|
nonfiction (long) | |
| 2025 | Track Changes, Abigail Nussbaum |
| 2024 | A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, Nina Allan, ed. |
|
nonfiction | |
| 2023 | Terry Pratchett: A Life with Footnotes, Rob Wilkins |
| 2022 | Worlds Apart: Worldbuilding in Fantasy and Science Fiction, Francesca T. Barbini, ed. |
| 2021 | It's the End of the World: But What Are We Really Afraid Of?, Adam Roberts |
| 2020 | The Pleasant Profession of Robert A. Heinlein, Farah Mendlesohn |
| 2019 | “On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures”, Aliette de Bodard |
| 2018 | Iain M. Banks, Paul Kincaid |
| 2017 | “100 African Writers of SFF”, Geoff Ryman |
| 2016 | Rave and Let Die: The SF and Fantasy of 2014, Adam Roberts |
| 2015 | “Science Fiction and Fantasy Writers in the Great War”, Edward James |
| 2014 | Wonderbook, Jeff VanderMeer |
| 2013 | The World SF Blog, Lavie Tidhar, chief editor |
| 2012 | The Encyclopedia of Science Fiction, Third Edition, John Clute, Peter Nicholls & David Langford, eds. |
| 2011 | “Blogging the Hugos: Decline”, Paul Kincaid |
| 2010 | “Mutant Popcorn” (film column), Nick Lowe |
| 2009 | Rhetorics of Fantasy, Farah Mendlesohn |
| 2006 | Soundings: Reviews 1992-1996, Gary K. Wolfe |
| 2004 | “Reading Science Fiction” (introduction), Farah Mendlesohn |
| 2003 | “Introduction”, David Langford |
| 2002 | Omegatropic, Stephen Baxter |
|
nonfiction (short) | |
| 2025 | “Why A.I. Isn't Going to Make Art”, Ted Chiang |
| 2024 | “Project Management Lessons from Rogue One”, Fiona Moore |
|
artist/artwork | |
| 2025 | Jenni Coutts for Nova Scotia Vol 2 by Neil Williamson & Andrew J. Wilson, eds. (Luna Press) |
| 2024 | Leo Nickolls for The Surviving Sky by Krikita H. Rao (Titan) |
| 2023 | Alyssa Winans for The Red Scholar's Wake by Aliette de Bodard (Gollancz) |
| 2022 | “Glasgow Green woman”, Iain Clark |
| 2021 | “Shipbuilding Over the Clyde”, Iain Clarke |
| 2020 | Chris Baker for Wourism and Other Stories by Ian Whates (Luna) |
| 2019 | “In the Vanishers’ Palace: Dragon I and II”, Likhain |
| 2018 | (tie) Victo Ngai for “Waiting on a Bright Moon” by JY Yang (Tor.com 12 Jul 2017) |
| 2018 | (tie) Jim Burns for The Ion Raider by Ian Whates (NewCon) |
| 2017 | Sarah Anne Langton for Central Station by Lavie Tidhar (Tachyon) |
| 2016 | Jim Burns for Pelquin's Comet by Ian Whates (Newcon) |
| 2015 | “The Wasp Factory”, Tessa Farmer |
| 2014 | Joey Hi-Fi for Dream London by Tony Ballantine (Solaris) |
| 2013 | Blacksheep for Jack Glass by Adam Roberts (Gollancz) |
| 2012 | Dominic Harman for The Noise Revealed by Ian Whates (Solaris) |
| 2011 | Joey Hi-Fi for Zoo City |
| 2010 | Stephan Martiniere for Desolation Road by Ian McDonald |
| 2009 | Andy Bigwood for Subterfuge by Ian Whates, ed. |
| 2008 | Andy Bigwood for “Cracked World” (disLocations ed. Ian Whates; Newcon Press) |
| 2007 | Fangorn for “Angelbot” (Time Pieces ed Ian Whates) |
| 2006 | Pawel Lewandowski for Interzone #200 Oct 2005 |
| 2005 | Stephan Martiniere for Newton's Wake by Ken MacLeod |
| 2004 | Colin Odell for The True Knowledge of Ken MacLeod by Andrew M. Butler & Farah Mendlesohn, eds. (Science Fiction Foundation) |
| 2003 | Dominic Harman for Interzone #179 May 2002 |
| 2002 | Colin Odell for Omegatropic by Stephen Baxter (BSFA) |
| 2001 | Dominic Harman for “Hideaway” by Alastair Reynolds (Interzone #157 Jul 2000) |
| 2000 | Jim Burns for Darwinia by Robert Charles Wilson |
| 1999 | Jim Burns for “Lord Prestimion” by Robert Silverberg (Interzone #138 Dec 1998) |
| 1998 | SMS for “The Black Blood of the Dead” by Brian Stableford (Interzone #116 Feb 1997) |
| 1997 | Jim Burns for Ancient Shores by Jack McDevitt (HarperPrism) |
| 1996 | Jim Burns for Seasons of Plenty by Colin Greenland (HarperCollins UK) |
| 1995 | Jim Burns for Interzone #79 Jan 1994 |
| 1994 | Jim Burns for Red Dust by Paul J. McAuley (Gollancz) |
| 1993 | Jim Burns for Hearts, Hands and Voices by Ian McDonald (Gollancz) |
| 1992 | Mark Harrison for Interzone #48 Jun 1991 |
| 1991 | Ian Miller for The Difference Engine by William Gibson & Bruce Sterling (Gollancz) |
| 1990 | Jim Burns for Other Edens III by Christopher Evans & Robert Holdstock, eds. (Unwin) |
| 1989 | Alan Lee |
| 1988 | Jim Burns for 1987 Worldcon Program Book |
| 1987 | “The Clocktower Girl”, Keith Roberts |
| 1986 | Jim Burns |
| 1985 | Jim Burns |
| 1984 | Bruce Pennington |
| 1983 | Tim White |
| 1982 | Bruce Pennington |
| 1981 | Peter Jones |
| 1980 | Jim Burns |
|
audio fiction | |
| 2025 | “The Personal Touch”, Rick Danforth |
| 2024 | The Dex Legacy, Emily Inkpen |
|
special award | |
| 1994 | The Encyclopedia of Science Fiction, John Clute & Peter Nicholls, eds. |
| 1977 | A Pictorial History of Science Fiction, David A. Kyle |
| 1974 | Billion Year Spree, Brian W. Aldiss |
|
novel of 1958 | |
| 2008 | Non-Stop, Brian W. Aldiss |